Sonos is alive and well in 2015, despite attempts on its life from
AirPlay (which has seen better days) and Bluetooth (which is enjoying
its best days thus far). Sonos thrives because it doesn’t just make
wireless speakers, it makes an entire wireless speaker ecosystem that
functions quite well and, most important, delivers excellent sound.
The second-generation Play:5 delivers ferocious power with seriously deep bass
(when the mix calls for it) and a solid balance of rich lows and crisp highs. We’d
be pleased if this were simply a standalone speaker, but it is part of a larger,
non-Bluetooth-equipped, whole. Granted, purchasing this speaker means
buying into the Sonos ecosystem, but it’s hard to imagine a better-sounding
building block for a wireless multi-room system.
DESIGN
Available in black or white models, both of which have
black front panels consisting of speaker grilles, the
Play:5 has a minimal and sleek look; it seems meant to
blend into a setting, not stand out. Measuring 8 by 14.3
by 6 inches (HWD) and weighing 14 pounds, the Play:5
has all its buttons on the top panel: one for Play/Pause
and volume controls on either side.
The volume controls are capacitive—each looks more
like four tiny pinholes than a button, and it’s almost
surprising when they work so well. From a visual
standpoint, it keeps the top surface looking uncluttered.
The volume levels work in conjunction with the master
volume levels in the Sonos app. Furthermore, the
volume controls act as track navigation tools when you
swipe from one to the other. It’s a simple, smart design
that makes the most of the speaker’s surface.
Behind the grille, the Play:5 boasts three tweeters and
three midrange drivers that are all driven individually
by six class-D digital amplifiers. The back panel, where
the power cable plugs in, also houses an Ethernet cable
connection (for a direct network connection) and a Join
button for connecting the speaker to an already-present
Sonos system. There is also a 3.5mm aux input to which
the speaker will automatically switch when it detects a
signal (though no 3.5mm audio cable is included).
Sonos claims the Play:5 can adjust its audio
performance based on the acoustics of the room it’s in.
There’s undoubtedly some digital signal processing
going on here, but it’s subtle enough that purists likely
won’t be irked, and it will please everyone else.
The speaker can also be paired with another Play:5 to
make a stereo pair, with one acting as the left channel
and the other as the right. Sonos even claims the
speakers are designed to work in relatively heightened
humidity, so you can place the Play:5 in a bathroom and
not worry about steam ruining it (the speaker is not
water- or splash-proof, however).
WIRELESS AUDIO
Sonos was one of the first big names in Wi-Fi multi-room audio, and it’s stayed
committed to the concept. The Play:5 doesn’t support Bluetooth; if you want to
use the speaker without relying on the 3.5mm auxiliary input, you’ll need to use
the free Sonos app for Android, iOS, OS X, and Windows, and connect the
Play:5 to your home Wi-Fi network. Fortunately, this is a simple process of
following a few software prompts and watching the speaker’s indicator light.
All music playback is controlled through the app, which, thanks to Sonos’
constant development, now supports a startling number of streaming music
services. You can listen to music from Amazon Music, Google Play, Pandora,
SiriusXM, Spotify, Tidal, and dozens of others. The speaker also supports
playing any of your locally stored music from up to 16 different storage devices
on your network, and can access more than 100,000 streaming Internet radio
stations outside of the different apps. It’s a safe bet that, even without Bluetooth
as a backup, the Play:5 has you covered for your favorite music sources.
The app handles all of the aforementioned multi-room and multi-speaker
setups, including pairing two Play:5 speakers or playing music across multiple
rooms. You can have up to 32 Sonos speakers on a single network at a time.
PERFORMANCE
On tracks with intense sub-bass content (we tested The Knife’s “Silent Shout”),
the Play:5 delivers some serious thunder. Not only can this system get
exceptionally loud, but the bass does not distort even at top volumes. That said,
things certainly sound a bit more balanced at more moderate, sane listening
levels. At a medium-loud volume, the Play:5 produces robust, deep bass. It
also still provides a strong sense of bass response even at low volume levels,
which is rare.
Bill Callahan’s “Drover,” a track with less in the way of deep bass content,
gives us a better idea of the Play:5’s overall sound signature. The system’s
drivers definitely have the capability to boost the drums to unnaturally hefty
levels the way some bass-forward systems tend to do, but instead the drums
sound full and powerful
without getting boosted in the
deep lows. The Play:5
beautifully highlights the rich
presence in the low mids of
Callahan’s baritone vocals, and
complements with a solid
presence in the high mids. The
guitar strums on “Drover” also
benefit from the strong highmid
presence, and from some extra brightness in the highs. This is a slightly
sculpted, but balanced, sound signature.
On Jay-Z and Kanye West’s “No Church in the Wild,” the kick drum loop’s
attack gets plenty of that high-mid treble edge, retaining its sharp contour so it
can slice through the mix. This track highlights what the Play:5 is capable of on
deep bass—when the sub-bass synth hits occur, it sounds as if there’s a powerful
subwoofer in the room. But the Play:5 avoids adding deep bass when it isn’t in
the mix. And when there is exceptionally powerful deep bass present, as there is
on this track, the Play:5 really brings it.
On the opening scene in John Adams’ The Gospel According to the Other
Mary, the higher-register strings, brass, and vocals own the spotlight—they
sound crisp and articulate through the Play:5. When there is lower-register
instrumentation, it is delivered in a balanced manner, and the occasional subbass
sound gets the appropriate level of presence in the mix. Absolute purists
might find things a bit too boosted in the lows, but most listeners will find the
overall mix crisp, rich, and well balanced.
The main reason Sonos has remained relevant is the continuous improvement
of its speaker lineup. Simply put, Play speakers sound great. If you’re looking
for a top-quality wireless speaker, but don’t need the multi-zone capability,
consider the Bowers & Wilkins Zeppelin Wireless ($699) or the Bang & Olufsen
Beolit 15 ($599); for something more affordable, try the Marshall Stanmore
($399) or Audioengine B2 ($299). If you want to start a bit smaller and much
less expensive—and also less powerful—Sonos’ Play:1 ($199) is a fine choice.
At $500, the Play:5 isn’t cheap, but it doesn’t sound, look, or behave like a
cheap system. Sonically, it’s a winner, and from a multi-room home audio
standpoint, Sonos still leads the pack.
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